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As longtime bassist for crushing Connecticut hardcore outfit Hatebreed, Chris Beattie specializes in the bludgeoning four-string onslaught you'd expect from a player of his caliber - and from the Jackson® signature bass with his name on it. Listen to any Hatebreed album to truly discern what Beattie's take-no-prisoners sound, style and talent is all about. The Jackson Pro Series Signature Chris Beattie Concert™ Bass features a 34" scale
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As longtime bassist for crushing Connecticut hardcore outfit Hatebreed, Chris Beattie specializes in the bludgeoning four-string onslaught you'd expect from a player of his caliber - and from the Jackson® signature bass with his name on it. Listen to any Hatebreed album to truly discern what Beattie's take-no-prisoners sound, style and talent is all about.

The Jackson Pro Series Signature Chris Beattie Concert™ Bass features a 34" scale length, alder body, through-body maple neck and 12"-16" compound radius bound laurel fingerboard with 24 jumbo frets and pearloid sharkfin inlays. Blistering tone seethes from EMG® HZ pickups with volume, blend and active three-band EQ controls to dial in your optimal low-end frequency, while a Jackson HiMass™ bridge provides endless sustain.

Injected with brutal tone and classic looks, this signature bass is offered in a stately Snow White finish, capped with a unique Jackson 2x2 headstock and brooding all-black hardware.

EMG® 35HZ PICKUPS (ACTIVE THREE-BAND EQ)

The EMG 35HZ is a modern passive bass pickup featuring a dual-coil humbucking design for low noise and plenty of output. Its ceramic magnets produce very pronounced and focused mids, as well as a fast and quick bass response. The strength of the magnets allows the pickup to retain articulation and clarity, even when introduced to extreme gain, which makes for a great choice for fast-paced metal. An active three-band EQ provides separate active controls for bass, mids and treble.

12"-16" COMPOUND RADIUS ROSEWOOD FINGERBOARD

Jackson pioneered the use of the innovative 12"-16" compound radius design, in which the fingerboard gradually flattens toward the heel from its more rounded profile at the nut. This makes for comfortable and natural-feeling chording and riffing near the nut, with optimal shred articulation and bending nearer the heel.